Andrea Bocelli Concert Is A Once-In-A-Lifetime Cultural Event

December 10, 2022

Andrea Bocelli & The Indianapolis Symphony Orchestra – Courtesy of Tom Russo. Used with permission.


I felt like I had died and gone to heaven the time I saw the late, great tenor Luciano Pavarotti perform at the former Market Square Arena sometime in the late 90s. That same distinctive emotional response returned Wednesday night at Gainbridge Fieldhouse where I had the privilege to witness Italian vocalist and multi-instrumentalist Andrea Bocelli, billed as “The World’s Most Beloved Tenor.” The revered singer’s appearance in Indy was part of a United States tour, titled “A Family Christmas.” Appearing with him was his ten-year-old daughter, Virginia. Originally his son Matteo was scheduled to join them but performed instead at the christening of the MSC Cruises’ “Seascape” in New York City. Bocelli’s special guest artists were Puerto Rican soprano Larisa Martinez and pop singer Pia Toscano. Accompanying Bocelli and guests was the Indianapolis Symphony Orchestra, led by Steven Mercurio and the Indianapolis Men’s Chorus, with added women singers, led by IMC Artistic Director Greg Sanders. Also performing were four contemporary-style dancers who appeared in several numbers.

L-R – Virginia Bocelli & Andrea Bocelli. Courtesy of Joey Amato. Used with permission.

Performing in front of a sold-out crowd of 12,000 worshipful fans, the blind 64-year-old Bocelli, singing in a celestial voice of exquisite tone, indescribable range, with impeccable artistry, he wowed the audience throughout the two-and-a-half-hour concert. Backed by the ISO, the total effect of Bocelli’s concert, enhanced by spectacular lighting – especially in such a massive venue – was simply breathtaking.  Adding to the events impressive production elements was a colossal upstage screen on which the proceedings were projected live, and images of Italian cities and other locations were shown.  Most importantly, the amplified sound in the arena was crystal clear.

Act 1 consisted primarily of well-known opera pieces, including arias sang by Bocelli and in duets with Martinez. Also featured were instrumentals performed by the ISO, including when they opened the concert with Mozart’s “Overture” from “Le nozze di Figaro.” Highlights included Bocelli singing Giordano’s “Come un bel d ì di Maggio” from “Andrea Chenier,” Martinez performing Delibes’ “Les Filles de Cadix,” and Bocelli and Martinez singing Verdi’s “Brindisi” from “La Traviata.” The ISO also shined when it played Bizet’s “Farandole” from “L’Arlesienne.”

The Act II program was the Christmas portion of the concert and featured Bocelli singing solo, in duets with Martinez, and with his daughter, Virginia. Also included were ISO instrumentals. With Martinez singing solo, the orchestra opened the act playing Ukrainian composer Leontovych’s classic “Carol of the Bells.”  Other Christmas favorites performed featured Bocelli in a poignant rendition of “White Christmas,” and “Silent Night” with Martinez. It was inevitable that the overused quote “The apple doesn’t fall far from the tree” came to mind when Bocelli’s gifted progeny, Virginia, took to the stage to perform a solo of “Away in a Manger” with her dad accompanying her on a red grand piano, and later playing guitar with her when she sang Leonard Cohen’s “Hallelujah.” Eliciting enormous applause was Virginia’s sweet solo of “Over the Rainbow” which she beautifully made the classic her own rather than attempt to copy Judy Garland’s style.

Andrea Bocelli in “A Family Christmas” = Courtesy of Tom Russo. Used with permission.

For me, the most exciting and satisfying portion of the evening were four encore selections, several of which inspired a profound, visceral response – both from myself and the audience, judging from their audible reaction. The encore included Bocelli and Toscano, sounding like a Celine Dion clone, singing “The Prayer” composed by David Foster with lyrics by Carole Bayer Sager and Bocelli bringing the house down when he closed the concert with a dramatic finish, singing Puccini’s “Nessun Dorma” from “Turandot.”

In many ways, seeing Bocelli perform live was the opportunity of a lifetime considering that he is in such demand as an international star, and it isn’t every day that he tours the US, much less visits Indy. I felt great pride in seeing the magnificent Indianapolis Symphony Orchestra reinforce its status as a world=class group of musicians accompanying a super star artist like Bocelli, and I’m sure I was not alone.  Witnessing such a huge crowd, one of the most stylish I have ever seen in these parts, appreciating classical music and opera in a basketball palace, in a city which rests its reputation on amateur and professional sports, is a memory I will long savor.

photo: Josh Humble

About Tom

Journalist, producer, director, Emmy Award-winning documentary filmmaker, arts administrator, TV contributor, actor, model, writer and lyricist, Tom Alvarez has had an extensive career in media and the fine arts and continues to be an enthusiastic and devoted fan of both. His passion and unique background grant him insight, access and perspective to cover, promote and review the arts in Indianapolis, Central Indiana and beyond. Follow him on social media @tomalvarezartswriter and @tomalvarez1.

Alvarez has been writing about theatre, dance, music, cinema and visual arts for 40 years. His work has appeared in the Indianapolis Star, NUVO, Indianapolis Monthly, Arts Indiana, Unite Magazine, Dance Magazine, NOTE Magazine, and, among many other print and online platforms. A former contributor to Across Indiana on WFYI-TV, he currently has a regular performing arts segment on WISH-TV’s Life. Style. Live!

A principal of Klein & Alvarez Productions, LLC, Alvarez co-created “Calder, The Musical” and is the managing director of Magic Thread Cabaret. As an actor-model, he has appeared in numerous TV and print ads and is represented by the Helen Wells Agency and Heyman Talent Artists Agency.

On the Aisle Team

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