The immortal music of George and Ira Gershwin, was gloriously presented by The Indianapolis Symphony Orchestra, led by Jack Everly, in a Pops concert “Rhapsody in Blue Celebrates 100 Years,” Friday, at the Hilbert Circle Theatre. Joining the ISO was the Indianapolis Symphonic Choir led by Dr. Eric Stark. Also appearing was vocalist Allison Blackwell and pianist Stewart Goodyear.
Performing to a full house, the ISO, under Everly’s adroit leadership, never sounded better as did the ISC. The two organizations effectively interpreted songs from the Gershwin’s distinctive canon which is regarded as the foundation of the Great American Songbook. Programmed impeccably by Everly, a former Broadway pit orchestra conductor, the maestro once again displayed his innate understanding of popular music. And, as always, the witty showman entertained the audience with interesting, informative and affable banter.
Singing choral arrangements written by Stark, the superb ISC performed in Act 1which consisted of such Gershwin favorites as “Strike Up the Band, “the overtures to “Girl Crazy,” and “Funny Face,” and overture to the film “Rhapsody in Blue.” My only regret is that at times, the ISC’s singing was overpowered by the orchestra, making it hard to hear the lyrics. Additional amplification might have helped.
Making her debut with the ISO, was sought-after Broadway and concert star Brown who displayed uncommon versality and vocal power in “Summertime” from “Porgy and Bess” and “Someone to Watch Over Me,” in the style of Ella Fitzgerald.
Act 2 included songs from the Gershwin’s 1935 American language opera “Porgy and Bess.” The ISO opened with selections from the musical’s score, followed by a return of Brown who further dazzled with an operatic rendition of “My Man Gone Now<’ than shifted to a jazz styling of “Our Love is Here to Stay,” and “You Can’t Take That Away From Me.”
The concert ended in a spectacular fashion when virtuoso pianist-composer-improvisor-recording artist Goodyear performed “Rhapsody in Blue,” A 1924 musical composition for solo piano and jazz band, which combines elements of classical music with jazz -influenced effects, the Gershwin’s masterpiece is ubiquitous in symphony repertoire. Playing with a distinctive fury and passion that was explosive, Goodyear regaled the transfixed crowd with his singular technique and artistry. It was an unforgettable performance that was simply breathtaking and, in some respects —a once in a lifetime experience.
At the conclusion of the concert, the ISO, Goodyear and Blackwell were awarded a prolonged standing ovation.
For tickets and information about the Indianapolis Symphony Orchestra 2024-2025 Season visit indianapolissymphony.org