‘Singin’ In The Rain’ is as bright and breezy as its film inspiration

April 16, 2018

Following its hit rendition of “Mamma Mia!,” Beef & Boards Dinner Theatre strikes gold again with its lively production of “Singin’ in the Rain,” the stage version based on the classic 1952 MGM film musical of the same title starring Gene Kelley, Donald O’Connor and Debbie Reynolds. I attended Saturday’s media performance, smartly directed by Eddie Curry and stylishly choreographed by Ron Morgan that runs through May 26.

Timothy Ford and Sarah Hund onstage

Timothy Ford, Sarah Hund – Courtesy of Beef & Boards. Used with permission.

Like the film, this musical is a romantic comedy which depicts the Hollywood film industry in the 1920s when actors, some more successfully than others, were forced to make the transition from silent movie to “talkies.” The story centers on famed silent film actor Don Lockwood (Timothy Ford), whose success is tied to that of his co-star Lina Lamont (Sarah Hund). Their mutual fans believe Lamont is his girlfriend, but for leading man Lockwood, their relationship is merely a publicity ruse. While the duo films their first talkie together, studio executives are aghast that Lamont’s voice sounds like fingernails scratching a chalkboard. Enter a talented young actress, Kathy Selden (Kimberly Doreen Burns), who is recruited to dub over Lamont’s voice with her own, but sparks fly when the diva-esque star finds out. By then, Lockwood and Selden have fallen in love, which just further alienates Lamont, who is determined to sabotage the promising career of her ingénue rival. Thrown into the mix of this frothy romp is Cosmo Brown (Buddy Reeder) who is Lockwood’s happy-go-lucky pal and sidekick.

Let me say from the start, the trio of Ford, Burns and Reeder turned in exhilarating performances that are not carbon copies of Kelly’s, O’Connor’s & Reynolds’s, but came extremely close to capturing the essence, if not the chemistry, affability and energy of the characters played by their silver screen counterparts. Plus, there is no question this Beef & Boards trio gave the originals a run for their money in terms of the caliber of their comic acting, singing and dancing as evidenced in “Good Morning,” Ford’s solo in “Singin’ in the Rain” (yes, of course it pours down), Burns singing in a richly textured voice in “You Are My Lucky Star,” and “Would You?” and Reeder channeling O’Connor’s physical comedy in “Make ‘Em Laugh.”

Cast dancing on stage

L-R Buddy Reeder, Kimberly Doreen Burns, Timothy Ford – Courtesy of Beef & Boards. Used with permission.

Hund’s characterization of the “dumb blonde” Lina Lamont, superbly showcased in her solo lament, “What’s Wrong with Me?” was absolutely side-splitting. Bringing down the house was her insanely funny performance as Lamont during a video segment which replicated her first talkie “The Duelling Cavalier,” which revealed her murderously high-pitched voice. Hund’s zany turn as ditzy Lamont was a perfect example of how talented one has to be one play someone who is untalented, yet still be entertaining, and even loveable.

The show features a chorus that absolutely sparkled in the original choreography by Gene Kelley and Stanley Donen, the film’s directors. Dressed in brilliant red costumes, the ensemble, tap-dancing wizards, were dazzling in the fantasy sequence, “Broadway Melody.”

The creative team of set designer Michael Layton, lighting designer Ryan Koharchick, sound designer Daniel Hesselbrock and costume designer Jill Kelly Howe once again combined their skills and talents to create another first-rate Beef & Board technical experience. Sadly, the performance was marred by a failed video sequence that, for whatever reason, did not appear on the screen early in the show as planned. But what followed was of such high quality that the flub hardly made a dent in the total proceedings and was easily forgiven. Still, I felt for the artists who obviously worked very hard to create a seamless experience.

The reboot of old television sitcoms and the constant revival of classic musicals on the entertainment scene indicates that, no doubt due, in part, to the current toxic social and political climate, there is a strong desire for nostalgia and a return to simpler times. If that is something you are looking for, there is no better way to escape reality than to luxuriate yourself in this latest Beef & Boards offering that is as plentiful in joy and spirit as its generous buffet is in delectable comfort food.

WHERE: Beef & Boards Dinner Theatre. 9301 Michigan Rd., Indianapolis, 46268

TICKETS: Available by calling the box office at (317) 872- 9664 between 10:00 a.m. & 7:00 p.m. Tuesday through Sunday, and 10:00 a.m. to 5:00 p.m. Mondays. Tickets range from $44 to $69 and include Chef Odell Ward’s dinner buffet, fruit & salad bar, and select beverages.

WEB SITE: For more information or show schedule, visit beefandboards.com.

photo: Julie Curry

About Tom

Journalist, producer, director, Emmy Award-winning documentary filmmaker, arts administrator, TV contributor, actor, model, writer and lyricist, Tom Alvarez has had an extensive career in media and the fine arts and continues to be an enthusiastic and devoted fan of both. His passion and unique background grant him insight, access and perspective to cover, promote and review the arts in Indianapolis, Central Indiana and beyond. Follow him on social media @tomalvarezartswriter and @tomalvarez1.

Alvarez has been writing about theatre, dance, music, cinema and visual arts for 40 years. His work has appeared in the Indianapolis Star, NUVO, Indianapolis Monthly, Arts Indiana, Unite Magazine, Dance Magazine, NOTE Magazine, and Examiner.com, among many other print and online platforms. A former contributor to Across Indiana on WFYI-TV, he currently has a regular performing arts segment on WISH-TV’s Indy Style, and is a creative arts reporter for Reel Life TV, an entertainment show also broadcast on WISH-TV.

A principal of Klein & Alvarez Productions, LLC, Alvarez co-created “Calder, The Musical” and is the managing director of Magic Thread Cabaret. As an actor-model, he has appeared in numerous TV and print ads and is represented by the Helen Wells Agency and Heyman Talent Artists Agency.

On the Aisle Team

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